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이 누리집은 대한민국 공식 전자정부 누리집입니다.

Hangeul Design: Prototypes and Future of the Korean Alphabet

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  • Period
    2017.02.28.(Tue) ~ 2017.05.28.(Sun)
  • Location
    Special Exhibition Hall

Introduction
This year marks the 620th anniversary of King Sejong’s birth who invented our script Hangeul. King Sejong took pity on the people who were not able to communicate their thoughts because of illiteracy. Out of such love for the people he developed a new script which was easy and efficient to use.

National Hangeul Museum plans to hold overseas exhibitions each year in order to promote values of Hangeul culture, and these exhibitions, in turn, will be presented to the national audience later on. As the first step, the exhibition titled ‘Hangeul Design: Prototypes and Future of the Korean Alphabet’ opened in 2016 at Korean Cultural Center in Tokyo. The current exhibition is the first of the same title touring in Korea. The exhibition consists of ‘Part 1: Easily Learned and Conveniently Used’ and ‘Part 2: Limitlessly Altered’. The exhibition explains the principles of creating 28 letters, by combining simple shapes based on primary forms such as dots, lines, and circles, along with 8 basic letters. In this exhibition, the forms of original Hangeul letters of the 15th century contained in the Hunminjeongeum are reinterpreted into 30 different design works.

We hope the exhibition will provide an opportunity to appreciate different characteristics of the original forms of Hangeul and its unlimited potentials found in various fields in our daily lives.
Easily Learned and Conveniently Used: Letters of Consideration and Communication
King Sejong (in reign from 1418 to 1450), the 4th King of the Joseon dynasty, devised Hangeul in 1443 for ‘the people who could not express themselves fully even if they had something to say’. Hangeul, which can easily be learned and conveniently used, has simple shapes and is comprised of a few letters suiting the purpose of its invention. Eight principle letters using basic shapes of ‘dots, lines and circles’, and their variations in 28 letters can be learned in one morning by ‘a quick-witted person and 10 days even for a slow-witted person’. They are letters of consideration and communication.
“a quick-witted person could learn before a morning is over,
even a slow-witted person could learn in 10 days.”
Jeong Inji’s Preface to the Hunminjeongeum
Limitlessly Altered: Expandability of Hangeul Reinterpreted Through Design
For about 570 years since its invention, Hangeul has been a foundation of Korean culture and evolving continually in places closest to our everyday lives. Especially today, along with linguistic content that Hangeul possesses the modern design field is growing bigger where designers focus on the artistic and visual aspects of Hangeul.

In this exhibition, 22 teams of designers project their design perspectives on Hangeul in the present and also in the Hunminjeongeum of the 15th century. Expandability of Hangeul exceeding the boundary of a script can be experienced through the design works reinterpreting the 15th century Hangeul and the Hunminjeongeum.
“With these 28 letters alterations can be limitless”
Jeong Inji’s Preface to Hunminjeongeum
Photo
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    Series on Changed Scenery Designer O Hezin, Four archaic words (슈‧룹, 싣, 브ᅀᅥᆸ, :뫼) that are unique in their forms are selected=Series on Changed Scenery, Designer O Hezin
       Four archaic words (슈‧룹, 싣, 브옛 '섭', :뫼) that are unique in their forms are selected from Yongjarye to be displayed with the modern word equivalents (우산, 단풍나무, 부엌, 산) meaning umbrella, maple tree, kitchen, and mountain  respectively through graphic illustrations. Lenticular printing is used so that the shape of archaic and modern word pairs can be compared with the corresponding illustrations.
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Responsible Department : 전시운영과 (Phone : 02-2124-6324, 6327, 6335)

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